Streaming now on Zee5 Global, The Sabarmati Report attempts to tackle the complexities surrounding the 2002 Godhra train tragedy, in which 59 lives were lost in a fire. However, despite its ambitious subject matter and compelling performances, the film falters in its portrayal, often choosing judgment over nuance.

The story follows Samar Kumar (Vikrant Massey), a principled Hindi journalist, recruited by Mahika (Ridhi Dogra), a seasoned reporter at a major broadcast channel. Together, they head to Godhra to cover the incident. However, Mahika’s narrative takes a controversial turn when her boss demands framing the event as an accident.

Samar, disillusioned by the channel’s bias, pursues his own investigation and discovers a truth that contradicts the official story. His defiance leads to termination, pushing him into a downward spiral of depression and alcoholism. Five years later, Amrita Gill (Raashi Khanna), a producer, revisits the case and seeks Samar’s help to present an unbiased account of the tragedy.

Vikrant Massey excels as Samar, embodying the struggles of an idealistic journalist fighting systemic corruption. His nuanced performance adds depth to a character torn between truth and survival. Raashi Khanna delivers a credible portrayal of Amrita, balancing empathy and determination.

However, it’s Ridhi Dogra who steals the show as Mahika, a ruthless journalist wielding power with chilling arrogance. Her performance highlights the stark divide between commercial interests and ethical journalism, even if her character relies on clichés.

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The film explores the tension between vernacular and English journalism, showcasing how Hindi reporters are often marginalised. While this debate adds a layer of socio-political commentary, the execution feels one-sided, painting the English-speaking journalists as elitist villains.

The narrative’s lack of balance becomes evident when Mahika, representing English media, is shamed for advocating “context and balance” in journalism—a moment that undermines the complexity of the debate. The film concludes with a redemptive nod to vernacular journalism but fails to engage with the nuances of the issue.

While The Sabarmati Report maintains suspense and emotional depth, its glossy treatment detracts from its authenticity. The over-dramatisation and heavy-handed moralising make it feel more like a commercial drama than a thoughtful exploration of real events.

The film’s research also appears superficial. Key characters and plot points lean into stereotypes, diminishing the credibility of an otherwise compelling narrative.

The Sabarmati Report has its moments, especially in its performances and its attempt to highlight the power of vernacular journalism. However, its judgement-heavy approach and lack of nuanced storytelling limit its impact. Despite these flaws, fans of investigative dramas may find it worth a watch.

Streaming on Zee5 Global, The Sabarmati Report is a mixed bag of strong performances and oversimplified commentary.