“Sikandar,” touted with the heavyweight trio of producer Sajid Nadiadwala, director A.R. Murugadoss of “Ghajini” fame, and superstar Salman Khan, promised much but delivered little. Murugadoss, known for his gripping narratives, falters here with a confused screenplay devoid of plot twists or excitement. The film, despite a promising start with a noble message, quickly descends into noise after the initial thirty minutes.
Salman Khan’s entry, usually a highlight, falls flat due to uninspired action sequences and lackluster VFX, leaving audiences underwhelmed. The narrative suffers from weak storytelling, scattered screenplay, and lack of impactful performances, leading to a tedious viewing experience. Murugadoss’s reliance on superficial elements like slow-motion and grand visuals fails to salvage an otherwise uninspiring film.
Supporting cast like Sharman Joshi and Satyaraj, despite their efforts, fail to elevate the narrative. Satyaraj’s portrayal as the antagonist lacks depth and fails to instill fear, further weakening the film’s impact. Rashmika Mandana’s role adds little to the narrative, with her performance being average at best.
Salman Khan, known for his blockbuster hits like “Bajrangi Bhaijaan” and “Sultan,” seems to struggle in finding scripts that match his iconic status post-“Tiger Zinda Hai.” “Sikandar” lacks the heart-touching moments and family entertainment synonymous with his successful films, leaving audiences longing for the magic of his earlier works.
Despite Salman Khan’s enduring popularity, “Sikandar” fails to capitalize on his star power and falls short of expectations. The film’s disconnect with engaging storytelling and meaningful characters reflects a declining trend in Salman Khan’s recent choices. As audiences evolve, influenced by social media and South Indian cinema, Salman Khan’s formula for success appears outdated, evident in “Sikandar’s” lackluster reception.
In conclusion, “Sikandar” misses the mark despite the pedigree of its production team and star cast. It lacks the essence that made Salman Khan’s previous films classics, signaling a need for reinvention in his choice of scripts and characters to regain lost ground in Bollywood’s dynamic landscape.
This writeup is contributed by Shavez Latif, a film enthusiast and academician by profession in India.
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